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The Jewish Artists Initiative (JAI) is an artist-run organization committed to fostering visual art by Jewish artists and promoting dialogue about Jewish identity and related issues among members of the arts community.

Mission and History

JAI was originally conceived by the Jewish Community Foundation of Los Angeles in partnership with the University of Southern California Casden Institute and the USC Roski School of Art and Design. We are now under the fiscal sponsorship of the Center for Jewish Culture and Creativity.

JAI Executive Committee: Joshua Abarbanel, Bill Aron, Melinda Smith Altshuler, Georgia Freedman-Harvey, Carol Goldmark, Gilah Yelin Hirsch, Anne Hromadka, Ruth Weisberg, Chair

Artists – you're welcome to apply for JAI membership. Please follow the instructions in our Selection Criteria for New Members, thank you.

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The Oshman Family JCC and JIMENA are pleased to present Not Forgotten

This exhibit of 26 collages/mixed media uses old photographs from families of refugees depicting Jewish life in the Middle East and North Africa at the beginning and middle of the 20th century.

The exhibition will be on display in the Goldman Sports & Wellness Complex and Schultz Cultural Arts Hall

April 1 – May 20, 2015

Oshman Family JCC • Taube Koret Campus • 3921 Fabian Way • Palo Alto, CA 94303 

Curated by: Simcha Moyal, Israeli Visual Arts

Tuesday, March 24th begins the 2015 Conney Conference on Jewish Arts on the campus of USC
and everyone is invited. Please click to download a complete program schedule - beginning with a
Reception/Registration in the evening of Monday the 23rd with events running through Thursday, March 26th.

A D M I S S I O N   I S   F R E E

Location of this series will be: Tuesday at Doheny Library
Wednesday and Thursday at USC Hillel

We are pleased to announce 12 JAI Artist Members are participating in making presentations at this year's event:

Bill Aron, Stacie Chaikin, Josh Feldman, Gilah Yelin Hirsch, Andrea Hodos, Anne Hromadka
Rachel Kupferman, Sagi Refael, Lidia Shaddow, Doni Silver Simons, Hillel Smith, Jana Zimmer

There will also be presenters from all over the U.S. and some from Israel as well. The Conference is co-sponsoredby the USC Initiative for Israeli Arts and Humanities and University of Wisconsin's Mosse/Weinstein Center for Jewish Studies. This is the first time in its 10 year history the Conney Conference will be presented someplace other then in Madison, Wisconsin.

Please note: it is not necessary to attend registration the first day; you are welcome to join us for any event, any day, at no cost

30th Annual Made in California Juried Exhibition
City of Brea Art Gallery

March 28 - May 8, 2015

Opening Reception: Saturday, March 28, 7:00 - 9:00 p.m.

1 Civic Center Circle, Brea, California

(714) 990-7731 or BreaGallery.com

Gallery hours: Wednesday - Sunday, 12-5

Karen Frimkess Wolff and Dori Atlantis have a new installation in GALA Exhibits, 131 N. Maryland Ave., Glendale

Join us at the Artist Reception, Sunday, March 15th, 4:00 - 7:00 p.m.

PULSE of LA featuring 3 JAI Artist Members:

Simone Gad
Shelley Gazin
Lidia Shaddow

Reception: March 22, 3-5 p.m.

Join Pat Berger and 5 other artists in the Cheviot Hills neighborhood of Los Angeles

March 29, 2015  •  1-5 p.m.

for Home Studio Tours

Pat Berger, 2648 Anchor Ave. (at Anchor Ave. and Monte Mar Place)

Email Joe for more information


The Venice Institute of Contemporary Art (ViCA) and the Loft at Liz’s present a group exhibition from February 21 through March 30, 2015. The opening reception will be on February 21st, from 7-10 p.m. There will be an artist talk with a date to be announced. This follows from the enormous success of the first exhibition at the Porch Gallery Ojai in the Summer of 2014.

Curated by Juri Koll, with Catalog Essays by Peter Frank, Shana Nys Dambrot, and John Seed.

Featuring works by:

Dark Bob, Fatemeh Burnes, Sam Erenberg, Sam Francis, Kio Griffith, Gloriane Harris, Juri Koll, Barbara Kolo, KuBO, Jayme Odgers, Kirk Pedersen, Kate Register, and Karrie Ross

The artists in this show use watercolor, inks, and other liquid media for a variety of reasons – some love the risk of not being able to alter the result once it hits the paper. Others have a more formal reason for the process. Some use the medium as a contemplative, almost reverential experience, or for “quiet meditation or being present in the moment”, as Shana Nys Dambrot says. All these motivations inspire these works, and engage the audience with the here and now, regardless of when the work was completed.

Many of the artists have been influenced in some way by Japanese Sumi painters or modern artists such as Sam Francis. The catalog was produced with partial support from the Sam Francis Foundation.

Sam Erenberg.com

213.884.4133     www.ajrca.edu




Read the full article here: Meet Pat Berger! in the December issue of Cheviot Living magazine





Dear Friends: I am pleased to announce that one of my artworks, La Sinagoga, Cordoba,
a Polaroid transfer from 1994, is on the cover of a new book: Kabbalistic Revolution: Reimagining
Judaism in Medieval Spain
by Hartley Lachter.

  Hartley Lachter is the Phillip and Muriel Berman Professor of Jewish Studies
and director of the Berman Center for Jewish Studies at Lehigh University.

The book is being published by Rutgers University Press and is available online.





Molested At The Movies: Survivor's Child (Volume 1) Paperback – Large Print, March 24, 2014 by Ms. Simone Z. Gad

Available on Amazon, $18.


Molested At The Movies: Copyright Simone Gad 2014/All Rights Reserved, WGA and Library Of Congress Registered, is a performance-art spoken word play of monologues/vignettes about my growing up as a child of holocaust survivor parents from Poland, our immigration to the US from Brussels, Belgium where I was born, and my stage-mom getting me into show-biz at the tender age of 4 upon our arrival via Ellis Island.

Molested is a dark story with humorous elements, and some French, German, Polish, Yiddish references. It also includes 2 songs from the 1920s, both of which created a major impact upon me during my early years in Boyle Heights/East Los Angeles and Hollywood. I was forced to sing one of them at auditions from childhood thru my teenage years, relentlessly. The other song is in French. My mom would sing it over and over again with her heavy Polish accent, which haunted me.

I did my spoken-word show on-tour in the United States and in Brussels, Belgium from 1998 through 2013, and have included reviews/articles/catalog excerpts as documentations of my performances and exhibitions at the end of my art-text publication. This spoken word performance story has some hand-written notes, some of which is not easy to read-because it's an art work and is meant to be so. It is not traditional writing and is experimental in nature.

Molested at the Movies is an homage to my family who suffered in the concentration camps and forced labor during the Shoah. It is also dedicated to my brother and holocaust survivor parents who passed away during the 1990s, and to my aunt and uncle who died shortly thereafter.

I want to thank Karen Atkinson for helping me to edit my book for publication. She is amazing!



Hal Goldberg's Holocaust Memorial Sculpture


In September 2012 Hal Goldberg's  sculpture, "They will never be forgotten: Serge and Beate Klarsfeld and Marceline Kogan" was installed at the Camp Des Milles Holocaust Memorial Museum in France. The sculpture also depicts the books the Klarsfelds have written.

Serge and Beate Klarsfeld are famous Nazi hunters based in Paris, and Marceline Kogan was a two year old child rounded up in the infamous Paris "Rafle" in 1942 and killed in Auschwitz.

Camp des Milles was a French internment camp in a former tile factory near  Aix-en-Provence.  Between 1941 and 1942 it  was used as a transit camp for Jews. About 2,000 of the inmates were shipped off to the Drancy internment camp on the way to Auschwitz. Since 1993, the site served as a World War II memorial, and in September 2012  the memorial was turned into a Holocaust memorial museum. 
















Weisberg's Visions

A wonderful overview of Ruth Weisberg's work in the New York Jewish Press:

"There is a special class of Jewish artists who toil in the rich fields of Tanach and Jewish practice for years and years, quietly establishing a foundation of visual and intellectual markers for generation of artists to come. Ruth Weisberg is clearly one of these founders. Her seminal work articulates an approach to the Jewish narrative deeply informed by a Jewish feminism."